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	<title>All Wired Up &#187; radiohead</title>
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		<title>A virtual free for all</title>
		<link>http://blog301.edublogs.org/2008/08/20/a-virtual-free-for-all/</link>
		<comments>http://blog301.edublogs.org/2008/08/20/a-virtual-free-for-all/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 03:59:03 +0000</pubDate>
		<dc:creator>alchemi</dc:creator>
				<category><![CDATA[Responses to weekly readings]]></category>
		<category><![CDATA[chris anderson]]></category>
		<category><![CDATA[creative commons]]></category>
		<category><![CDATA[download]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[nine inch nails]]></category>
		<category><![CDATA[radiohead]]></category>
		<category><![CDATA[the slip]]></category>
		<category><![CDATA[trent reznor]]></category>
		<category><![CDATA[wired]]></category>

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		<description><![CDATA[Both this weeks readings make bold claims for free being the business model of the future. I want to believe.
Like Chris Anderson says in his Wired article, the cost of distributing digital content to the consumer is so minuscule, just 1% of customers who choose to pay for an item can cover the 99% that [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Anderson's article" href="http://www.wired.com/techbiz/it/magazine/16-03/ff_free" target="_blank">Both</a> this weeks <a title="Make money with free conent Wiki" href="http://howto.wired.com/wiki/Make_Money_Around_Free_Content" target="_blank">readings</a> make bold claims for <em>free</em> being the business model of the future. I want to believe.</p>
<p>Like <a title="Chris Anderson" href="http://en.wikipedia.org/wiki/Chris_Anderson_(writer)" target="_blank">Chris Anderson</a> says in his <a title="Wired.com" href="http://www.wired.com" target="_blank">Wired</a> article, the cost of distributing digital content to the consumer is so minuscule, just 1% of customers who choose to pay for an item can cover the 99% that don&#8217;t.</p>
<p>This model has recently worked in the music industry (<a title="My previous post ranted about the music industry's inability to adapt to free music market" href="http://blog301.edublogs.org/2008/08/13/ugc-the-death-of-the-newspaper-or-the-start-of-democratic-journalism-2/" target="_blank">I see a pattern emerging here</a>), with first <a title="Radiohead - In Rainbows download site (no longer available)" href="http://inrainbows.com" target="_blank">Radiohead</a> and later <a title="nin.com" href="http://nin.com" target="_blank">Nine Inch Nails</a> discovering that this formula is also a viable way to sell music. <a title="Wiki on Trent Reznor" href="http://en.wikipedia.org/wiki/Trent_Reznor" target="_blank">Trent Reznor</a> of Nine Inch Nails put the first 9 songs of his 4 disc instrumental album, <em><a title="Download 'Ghosts' here" href="http://ghosts.nin.com/" target="_blank">Ghosts I-IV</a> </em>online for a free download. Fans could pay $5 for a high-quality download of the complete 36-track album or fork out even more for limited edition Cd&#8217;s. Because he didn&#8217;t have to give anything to record companies, Reznor made more from the online download than he did from his biggest selling traditional album, <a title="The Downward Spiral 10th anniversary site" href="http://tds.nin.com/" target="_blank"><em>The Downward Spiral</em>.</a></p>
<p>Reznor is an artist that is embracing the idea of free digital content in <a title="Wired feature article on Reznor" href="http://www.wired.com/entertainment/music/magazine/16-01/ff_args" target="_blank">many interesting ways</a>. Not only did he purposely leak his music to notorious torrent sharing site, <em><a title="The Pirate Bay" href="http://thepiratebay.org" target="_blank">The Pirate Bay</a>, </em>he actually gave away his most recent album <em><a title="Download 'The Slip' here" href="http://theslip.nin.com" target="_blank">The Slip</a>, </em>in its entirety, completely for free (and it&#8217;s bloody good to). In addition, he has set up <a title="NIN remix site" href="http://remix.nin.com" target="_blank">remix.nin.com</a> where fans can remix any of his songs and post them on the site for rating, downloading and sharing. He also started <a title="Ghosts Film Festival on Youtube" href="http://www.youtube.com/group/ninghosts" target="_blank">his own film festival </a>on Youtube where fans could use songs from <em>Ghosts I-IV </em>to create a short film.</p>
<p>Thanks for staying with me, I do have a point. Reznor has done all this as part of the <a title="About CC licences" href="http://creativecommons.org/about/licenses/meet-the-licenses" target="_blank">Creative Commons</a> movement, yet another exciting element of the freenomenon, not really mentioned in the readings. Creative Commons lets artists apply their own copyright and choose whether they want it to be in the public domain (ie. free to use by anyone) or place a &#8216;rights reserved&#8217; on it (permission needs to be sought to use it). Basically they offer their intellectual property for free, so long as the original artist is credited.</p>
<p>Sorry if this has been all about the music industry and not much about journalism. But I think what Reznor is doing ties in with the free content debate nicely. I promise to be more journalistic based next week&#8230; maybe.</p>
<p>P.S I hate word counts!</p>
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